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CSABA.jpg (45712 tavu(a))     Peter Csaba

Peter Csaba was born in Cluj (Transylvania, Romania) of a musical Hungarian family in 1952. He studied the violin, composition and conducting, first in his hometown and then in Bucharest. After winning several national and international competitions, such as the Paganini Competition in Italy, he was recognized as an artist of the first order. He has performed as a soloist and conductor with major orchestras from 50 countries around the globe.

Since 1983 Csaba has lived in Lyon, France, where he has made a career as a conductor and soloist of the Orchestre de l'Opera and Orchestre National de Lyon. From the beginning of the 94/95 season Peter Csaba has acted as Artistic Director and Chief Conductor of the Besan‡on Symphony Orchestra in France and the Musica Vitae Chamber Orchestra in V„xj", Sweden. Csaba has founded two chamber orchestras: Les Soloistes de Lyon and the Virtuosi di Kuhmo. He has played with Krystian Zimerman, Peter Frankl, Ralf Goth¢ni, Maria Tipo and Zoltan Kocsis and conducted performances by Pierre Fournier, James Galway Natalia Gutman and Kyung Wa Chung, to mention a few.

Csaba's master classes in France, Hungary, Finland, Sweden, the United States and Japan have a high reputation. He is a recurrent guest at numerous chamber music festivals all over the world, such as the Kuhmo Festival in Finland and the Lapplands Festspel in Sweden, of which he has been Artistic Director since 1992.

Peter Csaba was also invited the Artistic Director of Kuhmo Chamber Music Festival 2000.

 

 

Lintu.jpg (52186 tavu(a))    Hannu Lintu

GENERAL MANAGEMENT:

Harrison/Parrott Ltd
5-6 Albion Court
Albion Place
London W6 0QT
United Kingdom

Linda Marks
+44 (0)20 7229 9166
linda.marks@harrisonparrott.co.uk

Hannu Lintu's own web-page: www.hannulintu.fi

 

Jontte.jpg (156162 tavu(a))    John Storgårds

“This was an entirely engaging piece of music-drama, but also a revelatory sea-change in our perception of Sibelius’s music. […] Every note was superbly played.” The Times, 22nd April 2008

John Storgårds is one of the most versatile and respected Finnish musicians of his generation. He has become one of today’s leading performers and champions of new and rarely heard works, alongside more familiar repertoire. His creative flair for programming is an impressive hallmark for him worldwide.

Storgårds is Chief Conductor designate of the Helsinki Philharmonic Orchestra, taking up the post from the 2008/09 season. He additionally holds the title of Chief Conductor with the Tampere Philharmonic Orchestra (until the end of the 2008/09 season) and Artistic Director of the Chamber Orchestra of Lapland (ongoing since 1996).

Storgårds made an impressive BBC Proms debut in 2005 with the BBC Symphony Orchestra; with whom he now works every season. He has also worked with the Gothenberg Symphony, the Finnish, Swedish and Frankfurt Radio Symphony Orchestras, Danish National Symphony Orchestra Stuttgart Philharmonic Orchestra, MDR Leipzig Orchestra and the Ensemble Intercontemporain. Further afield, Storgårds has conducted the Sydney, Melbourne and New Zealand Symphonies, Australian Chamber Orchestra and the St Paul Chamber Orchestra. He made his Japan debut in 2007 with Kioi Sinfonietta. Soloists with whom he regularly collaborates include Christian Tetzlaff, Frank Peter Zimmermann, Truls Mørk, Grigory Sokolov, Håkan Hardenberger, Karita Mattila, and Matti Salminen.

Highlights of the 2008/09 include returns to BBC Symphony Orchestra, Scottish Chamber Orchestra, Danish National Symphony Orchestra, Trondheim Symphony (where Storgårds also is violin soloist), Gothenburg Symphony and MDR Leipzig. He makes debut appearances with Bremer Philharmoniker, BBC Scottish Symphony, Mozarteum Salzburg, Orchestre National du Capitole de Toulouse and City of Birmingham Symphony Orchestra. One of his last projects as Chief Conductor at Tampere will be performances of Verdi’s Don Carlos at Tampere Opera. With Helsinki Philharmonic he opens his first season as Chief Conductor with a Finnish premiere concert performance of Schtschedrin’s The Enchanted Wanderer. Also in Storgårds’ first season, the orchestra undertake a tour to China.

Storgårds’ recordings include the award-winning Vasks’ Violin Concerto Distant Light and Second Symphony (Cannes Classical Disc of the Year Award 2004), Kaija Saariaho’s Graal theatre, works of John Corigliano and the seldom-heard Busoni Violin Concerto with soloist Frank Peter Zimmermann. His recording of works by Kalevi Aho, including the mighty Luosto Symphony (which features both Lahti Symphony and Lapland Chamber Orchestra), has just been released to great acclaim.

John Storgårds first studied violin and, having played professionally under the baton of many world-class conductors, returned to the Sibelius Academy from 1993-1997 to study conducting with Jorma Panula and Eri Klas. He received the Finnish State Prize for Music in 2002

Further information of John Storgårds from www.kdschmid.co.uk

John Storgårds' own web-site: www.johnstorgards.com

 

 

Sato.jpg (163122 bytes) Shuntaro Sato

In 1996, at the age of 23, Shuntaro Sato was appointed Associate Conductor of the English Chamber Orchestra after his debut with them at the Barbican, London .    He has since conducted the orchestra in more than 50 concerts on tours to Germany , France , Italy , Austria and Turkey as well as in the UK in venues including the Royal Festival Hall, Royal Albert Hall, Barbican Centre, Birmingham Symphony Hall and Manchester Bridgewater Hall.    He made his first recording with the orchestra in 1998: flute concertos by Nielsen and Reinecke with William Bennett, the principal flautist of the ECO.

In the UK , in addition to his concerts with the ECO,  Shuntaro made his debut with the LPO (1998) with whom he worked regularly including a tour 2001.  His debut with the Philharmonia in1999 was followed by further concerts including a tour in 2006,  and he continues his association with the Bournemouth Symphony Orchestra with whom he has worked every year since his debut in 2009 and with whom he will tour in 2013.

Shuntaro Sato made his debut with the Helsinki Philharmonia Orchestra in 1998 which led to concerts with practically all the Finnish orchestras, including the Finnish Radio Symphony Orchestra, the Sinfonia Lahti and the Tapiola Sinfonietta.

In January 2000 he was appointed Principal Guest Conductor of the Kuopio Symphony Orchestra in Finland and from October 2002 to July 2003 he was Principal Conductor.   Recordings with the orchestra include 'Northern Pictures - Finnish Orchestral Music' in 2001 and 'Wood Nymph - Orchestral Music of Jean Sibelius' in 2003 for Warner/Finlandia.

Shuntaro Sato has conducted many orchestras in his native Japan since 1998 including the Kyoto Symphony, Osaka Philharmonic, Yomiuri Nippon Symphony, Japan Philharmonia and New Japan Philharmonic Orchestras.    A performance of 'Das Lied von der Erde' (for chamber ensemble arranged by Schoenberg) with Mitsuko Shirai and Christoph Pregardien with the Japan Chamber Orchestra was broadcast on NHK TV in 1998.

He made his US debut with the Boston Chamber Orchestra in 1997 and was subsequently invited to be a guest conductor at the Tanglewood Festival.    He made his debut in the Netherlands in 2002 with the Radio Symphony Orchestra, Netherlands .   This was followed by his Spanish debut where he conducted the Orquesta Pablo Sarasate in Pamplona .

He has worked with many distinguished soloists including Pinchas Zukerman, Gyorgy Pauk, Augustin Dumay, Sarah Chang, Nigel Kennedy, Anne Akiko Meyers, Tasmin Little, Gerard Causse, Mischa Maisky, Raphael Wallfisch, Julian Lloyd Webber, Cristina Ortiz, Peter Donahoe, Emma Johnson, Barbara Hendricks, Magdalena Kozena, Thomas Allen, Lesley Garrett and Andre Bochelli.

Born in Japan in 1972, Shuntaro Sato read Politics at the University of London and later studied violin at the Royal Academy of Music where he formed an orchestra and conducted all Beethoven's symphonies.    As a conductor his teachers have included Diego Masson, Geraint Jones, Lawrence Leonard and Janos Furst.

In 2003 he was elected an Associate of the Royal Academy of Music ( ARAM ).

In 2006 a recording of Bach and Mozart Arias with Hyunah Yu and the Prague Philharmonia was released from EMI.

Shuntaro Sato lives in Paris .

 

    

RSQFormal.jpg (489643 bytes)    The Raschèr Saxophone Quartet

                                www.rsq-sax.com

 

 Marko Ylonen 2008.jpg (4451372 bytes)  Marko Ylönen

Already at the age of fifteen Marko Ylönen , one of the most outstanding cellists of his generation, was one of the finalists in a national cello competition of Turku in Finland . In 1990 he was awarded 2nd prize at the Turku Scandinavian Cello Competition and later that year he became a finalist and a prizewinner in the Tchaikowsky Competition in Moscow . 1996 he won the first prize at the Concert Artist Guild Competition in New York .

 

Marko Ylönen has performed as a soloist and a chamber musician in Finland and other European countries as well as in Japan , Australia , New Zealand and America . He plays regurlarly as soloist with the major Finnish orchestras. He has also played with such leading orchestras as Camerata Salzburg, the English Chamber Orchestra and the Prague Chamber Orchestra snd the Netherlands Chamber orchestra. Among the conductors he has worked with, are Leif Segerstam, Jukka-Pekka Saraste, Juha Kangas, John Storgårds, Sakari Oramo, Okko Kamu, James de Priest, Mosche Atzmon, Alexander Vedernikov, Heinrich Schiff, Ben Wallfish, Susanna Mälkki, Osmo Vänskä, Olli Mustonen and Hannu Lintu.

As chamber musician, mr. Ylönen has played with a great number of worlds leading musicians in various ensembles at many music festivals. He has been invited Artistic Director of Korsholm Music Festival in 2008 and 2010, which position he successfully held also in 2003. From autumn 2000 mr. Ylönen is engaged as lecturer of cello- and chamber music at the Sibelius Academy in Helsinki .

Apart from classical repertoire, Marko Ylönen plays occassionally contemporary music. He has premiered several works by Finnish composers, the most recent of them was  Jouni Kaipainen’s Celloconcerto in March 2003 with the Finnish Radio Symphony.

Marko Ylönen ’s discography is mainly on three labels, ONDINE, BIS and FINLANDIA, and it  includes both modern concertos and traditional repertoire. The latest releases  are Two Serious Melodies op. 77 for cello and orchestra by Sibelius ( Lahti Symphony/dir. OsmoVänskä, BIS), Cello Concerto by Peteris Vasks ( Tampere Filharmonia/dir. John Storgårds, ONDINE) and Cello Concerto by Joonas Kokkonen ( Finnish Radio Symphony Orchestra/dir. Sakari Oramo, Ondine).

Marko Ylönen has studied with  Csaba Szilvay, Erkki Rautio,  Heikki Rautasalo and Heinrich Schiff.

 

Ylönen plays a Matteo Goffriller -cello.

 

Olgap-c.jpg (322857 tavu(a))   Olga Pasichnyk

Olga Pasichnyk born in Pivne, Ukraine. She has completed pedagogical musical studies in her home town (piano, choral conducting and singing). Subsequently she studied voice at the Kiev Conservatory (with professor Eugenia Miroshnichenko) and at the Chopin Academy of Music in Warsaw (postgraduate studies with professor Alma Bolechowska). Her present vocal consultant is Nadia Safronova, professor of the Institute of Contemporary Art in Moscow.

In 1992 she became a soloist of the Warsaw Chamber Opera, where she sang major roles in Mozart operas (Rosina in La finta semplice, Susanna in Le nozze di Figaro) in Monteverdi operas (Minerva in 11 ritorno d'Ulisse in Patria and Poppea in L'lncoronazione dl Poppea), Dido (in Purcell's Dido and Aeneas), Alceste (in Lully's Alceste with J.C. Malgoire, as a musical director) and also Rosmene (in Haendel's Imeneo), Fiorilla (in Rossinl's 11 Turco in Italia). She performed with the Warsaw Chamber Opera Company at the Dresdner Musik Festspiele (1994), Mozart Festival in Madrid (1994), the Opernfest "Mozart von A-Z" in Vienna (1997), the Polish cultural days in Toronto and Internationales Bodensee-Festival "Kultur aus Polen" in

Friedrichshafen (1998).

Olga Pasichnyk also develops her interest in early music performance, regularly appearing with numerous musicians and ensembles specialising in early music. These include Jean-Claude Malgoire and hes La Grande Ecurie et La Chambre du Roy (France), Wladyslaw Klosiewicz (Poland-Austria), Marek Toporowski, Concerto Polacco, Il Tempo (Poland), Les Enemis Confus (Belgium), and The Bortniansky Trio (Ukraine).

She performed at 35th Early Music Festival in Brugge (Belgium), XXII Festival de La-Chaise-Dieu (France), XX Festival Internacional de Musica Antigua in Daroca (Zaragoza, Spain), Tage Alter Musik in Herne (Germany), 54th International Chopin Festival in Duszniki Zdrój (Poland), 42nd International Festival of Contemporary Music "Warsaw Autumn". In December '98 she sang with success role of Pamina (Mozart, The Magic Flute) in the Théâtre des Champs-Élysées in Paris, in October '99 she made her debut with Orchestra Teatro del Maggio Musicale Fiorentino (Florence, Italy).

Olga Pasichnyk is the Prizewinner of the Intemational Vocal Competition in s'Hertogenbosch (the Netherlands, 1994 - II prize) and Mirjam Helin International Singing Competition in Helsinki (Finland, 1999 - II prize). She was also awarded the Passport from the highly popular monthly "Polityka" in the area of culture in 1997 and the "Orfeus" - the award to the best performer of the polish composer's piece at 42nd International Festival of Contemporary Music "Warsaw Autumn" (1 999).

In her repertoire she pays special attention to the Baroque and Classical operas, music of French impressionism, Ukrainian and Russian songs, oratorios and interpretations of contemporary music.

She has recorded on CD Polish baroque church music, Italian baroque music (solo CD), The Kurpie songs of K. Szymanowski (it was awarded by Fryderyk-97 - Polish Prize for the best solo recording of 1997), Mozart's Requiem, Haydn's Nelssonmesse, Bortniansky's opera Alcide (dir. J.-P. Loré) - world premiere, Russian songs to Mickiewicz's poems, G.-F. Telemann's cantates, K. Förster's vocal pieces, ukrainian contemporary music, W. Lutoslawski's songs with Polish National Radio Symphony Orchestra, (dir. A. Wit) for NAXOS, songs and romances for OPUS 1 1 1.

 

 

 

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